Carnival Night
In 1956, Soviet audiences were treated to one of the most delightful comedies ever produced in their country. Carnival Night, directed by Eldar Ryazanov, tells the story of a group of enthusiastic young people preparing a New Year's celebration at a cultural centre. There will be music, dancing, jokes, and plenty of entertainment. Everything is going splendidly until Comrade Ogurtsov arrives.
Ogurtsov is the newly appointed director, a man of considerable authority and almost no understanding of what he is supposed to be directing. He disapproves of the music, distrusts the jokes, and regards spontaneous enjoyment as something bordering on an administrative offence. What the celebration really needs, he decides, is more seriousness. Preferably a lengthy scientific lecture.
The organisers, who actually know what they are doing, spend the rest of the film trying to prevent their director from destroying the event. They deceive him, distract him, and quietly disregard his instructions. The audience gets its celebration despite the man in charge, not because of him.
It is a wonderful satire of Soviet bureaucracy, made during the relative cultural opening that followed Stalin's death. Its optimism is part of its charm. The bureaucrat is ridiculous, the young people are resourceful, and common sense eventually triumphs over authority.
But imagine the same story taking place fifteen years earlier, under Stalin.