razor.blog: seeing things as they are.
Inner Plastic Surgery
On Parenting in a World of Digital Desire
On Parenting in a World of Digital Desire
My daughter came to me and asked about Roblox.
I said, “Yeah, I remember. A lot of kids at the mental hospital were playing it.”
That answer probably sounded more existential than she expected—or than I meant it to.
But it was true. And like some truths, it slipped out before I could dress it up.
I once worked in a psychiatric hospital for children, and nearly all of them were absorbed in video games—retreating, soothing, building digital lives because the real one felt too fragmented, too raw, too out of reach.
Maybe for some kids, Roblox feels safer.
More predictable.
Easier to control than a world where emotions run wild and adults don’t always protect you.
Maybe part of me wasn’t just answering her—I was speaking to a quiet fear: That she might one day drift into the same digital refuge as those kids I once tried to reach.
The Divine Comedy on The Train To Budapest
A vision in three realms
Canto I – In the Middle of the Offline Way
The WiFi wasn’t working.
No signal, no scroll, no screen to melt into.
We were on the way to Budapest,
a train winding through a Europe half-asleep,
and she — eleven years old, amused, defiant —
looked down at the black mirror of her phone and said,
“So what now?”
On it were the fragments I had prepared —
old voices, downloaded in a rush of good intentions:
Greek myths, psychology, a history of wine,
and, tucked somewhere in the middle,
The Divine Comedy.
She flicked through the titles like cards in a deck.
“Comedy,” she said, her eyes lighting up.
“Let’s listen to that. Comedy’s always good.”
I almost said something, almost warned her —
that this wasn’t Eddie Murphy, wasn’t slapstick,
wasn’t the kind of laughter that makes you breathe easier.
But I didn’t.
Because what is Dante, if not the first to laugh
not at sin, but through it?
She pressed play.
And so, not in a dark wood —
but in a train seat, with Austria passing by,
and a small, sharp girl holding a borrowed voice in her hand —
our journey began.
Trashbin Trance
Wasting the Miracle
The Spectacle of the Obvious
Street Stoicism: Composure Is a Combat Skill
Crossing the Street
In Transition
Madness as Method: Toward a Dialectic of Going Crazy
The Mirror Principle
The Best Tribe: Civilizing Mission World Tour 2025
Faces Like in the Soviet Union: A Walk Through a Swiss Supermarket
The Myth That You Live Your Life
The Wounded Society: A Philomythical Reflection
The Wounded Society: A Philomythical Reflection
There is a particular kind of wound that does not bleed, but lingers in the air we breathe, in the way our institutions creak under pressure, in the way people speak in hurried tones, afraid to stop and feel. It is the wound of a society that has lost contact with its own pain. And just like the ancient centaur (a creature with the upper body of a human and the lower body of a horse) called Chiron, whose unhealable wound became the source of his wisdom, our social body too must reckon with the truth that pain—when faced rather than denied—can become the seed of transformation.
Why the Political Immune System Targets the European Right
The Oracle Answers the Question You Shouldn’t Have Asked
The Morning of the Silicon Alchemists
The Silence of the Non-Human: An Invitation
The Sweet Cesspool
Between Guillotines and Guidelines
What Do We Really Teach Our Children?
What to Carry Into the Next World
Davos Altitude Sickness: Where Poverty Is a Panel and War a Workshop
How Freedom of Speech Became a Dangerous Idea
"Answer from Radio Eriwan: Yes, and the US Constitution also guarantees freedom after speech."
From Logic to Lunacy: How Good Ideas Turned Absurd
Government as Organized Crime?
Born in Quarantine
The Antibiotic Mistake: How Government Overreach Strengthened Resistance
The Pattern That Connects: On Noetic Perception, Chemistry, and the Moment That Precedes Thought
Why People Jump from Blind Trust to Conspiracy Thinking
Breaking the Script: The Art of Disrupting the Automated Mind
Trump and Elvis: American Icons in the Age of Spectacle
Trump and Elvis: American Icons in the Age of Spectacle
Donald Trump and Elvis Presley—two figures who, at first glance, seem to belong to entirely different worlds. One, a rock and roll legend who redefined popular music; the other, a real estate tycoon turned political lightning rod. Yet both are distinctly American figures, shaped by the country’s deep love for showmanship, reinvention, and the myth of the self-made man. Their success wasn’t just personal—it reflected something deeper about American culture and the way society constructs its idols.
From a sociological perspective, the parallels between Trump and Elvis aren’t coincidental.
The Right Choice: Navigating Moral Responsibility in the Modern World
The Right Choice: Navigating Moral Responsibility in the Modern World
I looked down at my shoes before heading to the supermarket. Brown leather, well-made, reliable. A big brand. That meant the leather wasn’t from some small artisan workshop—it was part of a massive supply chain, a machine that required a steady flow of cattle, tanning factories, global shipping routes, and market demand.
How many cows had to die for these shoes?
The thought wasn’t sentimental—I’m not the type to cry over a steak. It was something else, a moment of clarity about the invisible network of choices we make every day.
The fact that I was about to step into a supermarket, filled with bright lights and neatly packaged products, only deepened the feeling. The leather in my boots, the eggs in the fridge, the milk in my coffee—all of it had a cost far beyond what I paid at the register.
Am I Responsible for the Cost My Life Imposes on the Planet?
How to Raise Children for a Dystopian Future
Anarchy, Time, Dystopia
I-Thou with AI
The Silent Image and the Speaking Presence
The German Millipede That Forgot How to Walk
When Rebellion Became a Brand: How They Killed Music, Art, and Thought
The Emancipation of Ethiopian Philosophy and Thought
Cutting Through Intellectual Colonialism
The Brutal Truth About Personal Change
Why Society Operates Without a Goal
Why Society Operates Without a Goal
First off, German sociologist Niklas Luhmann would say that asking why the societal system exists is like asking why gravity pulls things downward. It is the wrong question. Asking "why" is a category error.
The system does not exist for a purpose, it exists because it is operationally closed and continues to function.
But if we ignore Luhmann’s warning and still demand an answer, we find something unsettling:
The system does not serve humans.
The system does not have a moral or ethical foundation.
The system is not designed, but emergent—like a biological process, it self-replicates as long as conditions allow.
The Job Interview Script
The Job Interview Script and the Danger of Thinking
There is a script for job interviews, and everyone follows it—knowingly or not.
The interviewer plays the role of the gatekeeper, the candidate plays the role of the humble supplicant, and the entire exchange is a carefully managed ritual of submission.
The unspoken rule: You must constantly justify yourself, while they never have to justify their judgment.
I once had a job interview for a social work position, but the interviewer fixated on one question:
"Why did you study an MA in Philosophy instead of an MA in Psychology, after your BA in Social Work?"
I gave the real answer:
"Because I like philosophy."
She frowned. There was no practical value, no commercial utility in that. She wanted a response that fit into her script—a justification that made me a more profitable, predictable hire.
The Grand Canyon of Wealth: The Illusion of Access
The Illusion of Personal Space in a Public World
What Parents Can Learn from Their Children
What Parents Can Learn from Their Children
We assume that childhood is a process of learning—of accumulating knowledge, understanding social norms, and preparing for the so-called real world.
We imagine ourselves, as parents, as the wise guides leading our children through the labyrinth of life, equipping them with the tools to navigate its complexities. But what if we have it backwards?
What if, instead, our children are the true philosophers, and we are merely their students?
A Plea for Medicine That Deserves the Name
A Plea for Medicine That Deserves the Name
Medicine was meant to heal, to restore balance, to be a force that stood between human suffering and unnecessary death.
It was meant to be guided by wisdom, humility, and the deep ethical responsibility of primum non nocere—first, do no harm. But somewhere along the way, the system that was supposed to safeguard life became an industry, and the patient became a customer.
Austrian social critic Ivan Illich warned us decades ago that modern medicine was heading toward iatrogenesis—a system that no longer cures, but perpetuates illness for its own survival.
In Medical Nemesis, he argued that institutionalized medicine had overstepped its purpose, replacing traditional healing with a bureaucratic machine that profits from dependency. Instead of empowering people to understand their own health, it medicalized life itself, creating a world where being “healthy” is less about actual well-being and more about being trapped in a cycle of prescriptions and procedures.
Silent Spring in Bielefeld
When Oedipus Meets Self-Checkout
A Journey Back to Meaning
Does a Social Worker Have to Be a Leftist?
How to Survive an Overbearing School System Without Losing Your Sanity
William Tell (2024): The Crusader, The Crossbow, and Hippie Jesus
No Glasses Required
No Glasses Required
John Carpenter’s They Live (1988) was supposed to be just another sci-fi action film—low budget, simple premise, full of B-movie charm. But over time, it became something else: a prophecy.
The movie follows Nada, a drifter who stumbles upon a pair of sunglasses that change everything. When he puts them on, he doesn’t just see the world—he sees the truth. Advertisements are stripped of their glossy illusions, revealing the real messages beneath:
OBEY
CONSUME
STAY ASLEEP
SUBMIT
He discovers that society is secretly controlled by an alien ruling class, who manipulate humans through subliminal messaging, keeping them docile and distracted. The rich and powerful collaborate with these aliens, selling out humanity in exchange for privilege and wealth.
Nada does what any real man would do: he starts waking people up.
Back in They Live, the horror was that people couldn’t see what controlled them. The aliens had to hide their messages, bury them under layers of deception. You needed special sunglasses to pierce through the illusion.
But today? No glasses required.
Everything is out in the open. The manipulation isn’t subtle anymore—it’s blatant. The media lies, politicians contradict themselves within days, corporations openly treat people as products, and nobody blinks.
The truth is in plain sight—And we still ignore it.
Why Did They Take the Fun Out of Everything?
Why Did They Take the Fun Out of Everything?
It was just a moment. A gas station stop, a glance at an old green and yellow St. Gallen-Gais-Appenzell train car, my daughter's voice cutting through the noise of the world:
“Why did they take the fun out of everything?”
She was looking at a relic—an old train from another time. A time when moving between train cars meant stepping outside, feeling the wind, maybe the rain, before entering the next compartment. Now, everything is sealed, connected by sterile, enclosed corridors. No weather, no wind, no risk.
And my daughter is right. Something has changed.
When a Hells Angel Met a Social Worker
Rehearsals for a Comback
Genitals, YouTube, and Greek Mythology
The other day, I heard my eleven year old daughter watching something on her phone. I wasn’t paying attention—just background noise—until I caught some words like this:
"...was cutting off his testicles."
That stopped me cold. Probably some brain-rotting YouTuber, some clickbait nonsense designed to hijack attention. So I asked, cautiously, "What are you watching?"
She answered, without a hint of irony, "It’s about the creation of Aphrodite."
Sanity as Rebellion: What the Last Messiah Got Wrong
Sanity as Rebellion: What the Last Messiah Got Wrong
Jonathan Livingston Seagull and the Consumer Society: Breaking Free from the Narrative Machine
Jonathan Livingston Seagull and the Consumer Society: Breaking Free from the Narrative Machine
Richard Bach was a former Air Force pilot and writer who, in 1970, published a book that would unexpectedly become a cultural phenomenon—Jonathan Livingston Seagull. What seemed like a simple story about a seagull who longed to perfect his flight became a parable about freedom, transcendence, and rejecting the limits imposed by society.
The book resonated deeply with the countercultural movement of the 70s. It was a time when people were questioning authority, breaking from rigid social norms, and seeking deeper spiritual meaning beyond materialism. Jonathan Livingston Seagull became a symbol of self-discovery, of leaving behind the expectations of the flock and daring to find one’s own path. It sold millions of copies, was adapted into a movie, and even inspired a soundtrack by Neil Diamond.
There is also a spiritual dimension to the book. While not overtly religious, Jonathan Livingston Seagull carries strong Christian and mystical undertones. Jonathan is cast out for seeking something higher, much like a Christ-like figure, and later returns to teach others the way to transcendence. The themes of perfection, sacrifice, and enlightenment align with both Christian and Eastern spiritual traditions, making the book resonate with seekers across different backgrounds.
More than fifty years later, the world has changed, but the core message remains just as relevant—maybe even more so.
The Economy of Craving Part 2— Why Sugar is the Gateway to All Other Addictions
The Economy of Craving Part 2—Why Sugar is the Gateway to All Other Addictions
The Moment It Begins
My daughter was sitting in the stroller, small enough that the world was still new to her. We were outside a supermarket, and I handed her a bottle of orange juice. Nothing special. Just juice. She had never had anything like it before. Until that moment, everything she drank had been simple—water, milk. Natural.
I watched her take the first sip.
Something changed in her eyes. It wasn’t just enjoyment. It was something deeper. A kind of fixation. A recognition. Like a switch had flipped. She wanted more. She had to have more. I had never seen that look in her before. That was the moment I understood. I understood that I made a huge mistake.
This is where it starts.
The Economy of Craving Part 1 — What the Ancient Greeks Knew About Consumer Society
Bearing the Weight of Another’s Chaos: A Philosophical Reflection on Crisis, Compensation, and Survival
In a family setting, this dynamic can be particularly stark. When a person struggles with internal chaos—be it mental illness, trauma, or existential despair—they might refuse intervention, even if such intervention could alleviate their suffering. Their partner, faced with the growing instability, may compensate in other ways: through hyper-rationality, avoidance, or even self-medication. The weight that is not carried by one does not simply disappear; it shifts to another.
Inner Plastic Surgery
Inner Plastic Surgery People are obsessed with transformation—but only the kind you can see. They go under the knife to sharpen their jaws, ...
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The Brutal Truth About Personal Change There is an entire industry built on selling you hope. Personal development seminars, self-help books...
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Davos Altitude Sickness: Where Poverty Is a Panel and War a Workshop I was working at a lakeside villa for a man who lived in the margins of...
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Somerset Maugham’s Razor’s Edge (2025): Larry Darrell vs. Hyperreality The Original Journey W. Somerset Maugham’s The Razor’s Edge (1944) t...